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Lesson Five: Making Art That Matters (Printmaking Option) LESSON OVERVIEW: Students plan and execute a relief print that attempts to protest or persuade. They focus on effective definition of shape, use of symbols, and impact on their intended viewers. OBJECTIVES:
PREPARATION: In preparation for class, make your own sample. It is advisable to plan the image in advance, remembering to focus on shape and remembering that letters and words will print in reverse. You can transfer a preliminary sketch onto a linoleum block by tracing the shapes of the sketch onto tracing paper, turning the tracing paper over, placing a sheet of carbon paper between the block and the tracing paper, and finally tracing over the outlines. Prepare the block by removing areas not to be printed (or with cardboard,
by gluing raised areas to a flat base. Coat the entire cardboard "block
" with watered down white glue to seal the surface.). Place a small
amount of ink on a palette and spread ink evenly over the brayer (roller)
by rolling it on the palette. Next ink the block by rolling the inked brayer
over its surface. Place a sheet of paper over the inked block. Apply pressure
(with a press, using a wooden spoon, or by applying weight, such as a stack of books) to transfer ink to the paper. Carefully pull off the print. Expect some texture in printed
areas.
ACTIVITIES:
Explain that students will be producing a linoleum block print related to an issue or situation that concerns them. Their prints should use shapes symbolically. Students should pay attention to negative as well as positive shapes. as they plan their prints. An alternative process is cardboard relief printing or, for advanced students, woodcuts. Review the theme of Protest or Persuasion. Ask students to use the issue or concern they've identified and symbolic shapes they've developed in previous lessons, as starting points in designing their icons. You may want to show students examples of political, corporate, government, and other simple logos, as examples of how shapes can be defined and how positive and negative shapes can complement each other. Remind students to consider how the viewers they hope will see their printed icon may understand it. Show your sample print and demonstrate the steps of the process for your students. You may want to ask your students to experiment with different paint and paper combinations and submit an "edition" of perhaps five prints that they believe are most successful.
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Conclude the lesson by asking each student to display another student's print and to share her or his interpretation with the artist and the rest of the class. You may choose to ask for written interpretations, or, if time is short, ask students to find the artist who made the print and to share the small group's conclusions directly with the artist.
Select a simpler printmaking process. Students can make blocks carving simple shapes in erasers, indenting marks into an otherwise smooth styrofoam tray, or even by cutting a potato in half and carving into the cut surface.
Students might choose to use a linear repeat pattern as a border to frame another image or text, as Luis Guerra did in his painting for a poster, as Ana Laura de la Garza did with roses around her monoprint, as José Guadalupe Posada did with his broadside, or as the santero painter did to frame the New Mexico retablo of the Virgin of Guadalupe.
Examine the prints to determine whether they communicate an idea, whether they use shapes (and perhaps symbols) effectively, and whether negative as well as positive shapes contribute to the image.
As students offer interpretations of their classmates' prints, note whether they can identify a message and point to aspects of the print that support that message.
linoleum blocks
linoleum cutters
palettes
water based printer's ink
brayers
drawing or construction paper
press or wooden spoons to apply pressure for printing
heavy tag board
scissors
white glue
palettes
water based printer's ink
brayers
drawing or construction paper
press or wooden spoons to apply pressure for printing
soft wood boards
wood chisels
mallets
oil-based printer's ink and solvent
palettes
brayers
drawing, construction, or other paper
press or wooden spoons to apply pressure for printing
potato cut in half
paring knives (used with care)
tempera paint
styrofoam trays or other smooth surfaces
newsprint, drawing paper, or construction paper
ALTERNATIVES include soap, erasers, or styrofoam blocks.
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